Inquisitive Eyes: Slade Painters in Edwardian Wessex
Size: 270 x 210mm
Illustrations: approx 100
This real contribution to the literature on artists and place is a truly fresh look not only at the Slade ‘milieu but at the flavour of landscape painting in early twentieth century Britain. Convincingly argued, this focuses on the importance of Purbeck to some of the most important Edwardian painters. Plein air artists visiting from the 1890s saw the county through the lens of Thomas Hardy and exhibited paintings of a timeless Wessex in London. Slade tutors and students, during its Grand Epoch and ‘first crisis of brilliance’, mostly visited through their friendship with a friend of Hardy, the little known Dorset-born painter John Everett. Easily accessible by train from London, painters were there in the summer months leading to Augustus John’s description that ‘Corfe Castle and the neighbourhood would make you mad with painter’s cupidity’. Up to 300 painters were attracted to this sketching ground by its unique combination of ancient barrows and mining/clay pits, and dramatic coast, over the period.
Painters featured in the book include, Vanessa Bell, Charles Conder, John Everett, Roger Fry, Augustus John, Helen McNicoll, William Orpen, Philip Wilson Steer and Henry Tonks.
- This book is richly illustrated and has broad appeal for non-specialists interested in landscape painting, as well as to specialists interested in re-assessing artistic reputations and ideas of modernity in early twentieth century British art.
- A genuinely fresh look at the Slade’s first crisis of brilliance, centred in Thomas Hardy’s Dorset.
- An excellent wealth of new and unpublished material with quotes carefully selected to illuminate the interlocking lives of well- and lesser-known modern painters. This includes never before published drawings by Orpen charting the closeness of his friendship with John Everett and fellow Slade students.
- This story is a lost chapter in British art.
About the author
An independent art historian, Gwen Yarker is an elected Fellow of the Society of Antiquaries of London and the Royal Historical Society. She has a masters degree in British art from the Courtauld Institute, and was curator of art at the National Maritime Museum and collections manager of the Russell-Cotes Art Gallery and Museum. She has been responsible for some major acquisitions for public collections. Now an experienced lecturer, exhibition curator and author Gwen specialises in British art from the eighteenth to mid twentieth century.